Thirty-three for Thirty-three, pt. 7 (5-1)

6. Albert Ayler, “Bells,” Love Cry, Impulse!, 1968, USA With 1968’s Love Cry, Albert Ayler distilled the ideas he had developed over years – about tone; melodic, harmonic, rhythmic improvisation; avant-garde and nostalgia; structure and freedom; popular music and art music – into the most succinctly stated free jazz of the decade. There is noContinue reading “Thirty-three for Thirty-three, pt. 7 (5-1)”